Description
Pro Tools HD OMNI Audio Interface
Hear what you’ve been missing
If you’re familiar with our older “blue” Pro Tools | HD interfaces, your ears are in for a major treat. Experience significantly better audio fidelity, wider dynamic range, and super-low jitter thanks to sophisticated A/D and D/A conversion and a new analog front-end. Capture and play back every audio detail. Retain the warmth and presence of your original sources. And get the lowest possible latency when recording.
Track, mix, and monitor in one
With HD OMNI, you can do it all with a single rack space interface—whether you make music or create sound for picture. Capture high-quality instrument and vocal performances (with 4×8 analog or 8×8 digital support). Record overdubs, or track ADR and Foley for a soundtrack. Provide cue mixes for artists. Hear your own discrete mix. Monitor in stereo or up to 7.1 surround right from the front panel. And because there’s no need to route signals across multiple interfaces, you save both time and money.
Listen your way
Choose how you want to listen… Hear mixes in stereo or surround. Monitor through speakers or your cans. Create a personal mix for performers while listening to your own. Compare a mix on different speaker sets. And if you don’t feel like launching Pro Tools, HD OMNI also functions as a persistent mixer, so you can monitor a keyboard, drum machine, or music player independently from your recording setup.
Optimise your sound
Connect your digital gear without the hassle, with built-in sample rate conversion offered on all digital inputs. Maximize your analog input signals, without any harsh clipping, with the soft clip feature. Plus, you’ll be able to track hotter signals and smooth out inconsistent levels from incoming sources.
OMNI Specifications
| HD OMNI Specifications | |
| Analog Inputs | 4 |
| Analog Outputs | 8 |
| Mic / Instrument Inputs | 4 (2 simultaneous inputs at a time) |
| Mic Pre Gain | 65 dB |
| Headphone Output | 1 |
| Monitoring Formats | 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono |
| Speaker Selection | 2 sets |
| Persistent Mixer | 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration |
| AES/EBU I/O | 2 + 8 |
| AES Single-Wire (192 kHz) | Yes |
| S/PDIF I/O | 2 |
| ADAT I/O | 8 |
| S/MUX | S/MUX II and IV |
| SRC | S/PDIF I/O |
| Word Clock I/O | 1 In + 1 Out |
| Loop Sync I/O | 1 In + 1 Out |
| Curv | Yes |
| Soft Clip | Yes |
| Digital Interface | DigiLink Mini |
| Chassis | 1U rack-mountable chassis |
| Mic Inputs | |
| Frequency Response | 20 Hz – 20 kHz (± .05 dB) |
| Gain Range | 65 dB |
| EIN | -128 dB |
| THD+N | -107 dB (0.00045%) |
| CMRR | -93 dB |
| Line Inputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 118 dB (A-weighted) |
| THD+N | -111 dB (0.00028%) |
| Line Outputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 120 dB (A-weighted) |
| THD+N | -108 dB (0.00039%) |
| Line Output Level / Trim | +10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps) |
| Headphone Outputs | |
| Frequency Response | 20 Hz – 20 kHz (± .03 dB) |
| Dynamic Range | 118 dB (A-weighted) |
| THD+N | -107 dB (0.00045%) |
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